DENVER, CO ARTIST
MICHELE LYN
Swaddled together forever in ponder and play,
unite
u n t i e
u n t i e
unite
Nearness inherently holds far-ness, right?
inside
outside
through
as a whole
in its parts
:DNA makes our bodies transparent:
holding
family
memory
theory
United U n t i e d (2010-2016) is the second body of work from my ongoing research project, The Poetics of Twinship. Initially my curiosity was driven by science: its capacity to provide evidence was soothing. My first exploration of this work, Twice Upon A Time (2008-2010), shows my obsessive compulsion to prove the validity of my questions. Although science continues to inform my art, it is no longer my central mode of inquiry. I am less concerned now about proof and more curious about the act of questioning itself. What is it like to be a twin? I unfolded the spaces surrounding Question and Answer by opening my process to countless contributors, my two favorites: chance and synchronicity. Perhaps this is because these two ideas are at the root of all identical twins’ existence: one egg spontaneously split into two.
United U n t i e d documents my attempt to describe twinship. For me, being a twin is often an oscillation between individuality and togetherness on many levels: on the surface of our bodies (the physical), below the surface of our bodies (the genetic) and beyond the surface of our bodies (the psychological, spiritual and philosophical). Over the past six years I collected and created numerous metaphors. They came from various sources: family snapshots, quotes from philosophers and twins, memories, mapping techniques, my body, etcetera. I began this research in my family archive because it contained the first images of my twin and me. Two fundamental facts became evident: being a twin is an inherently visual experience and the question of “Who is who?” is a practical necessity. Seeing double immediately produces a lot of questions.
Swaddled together forever in ponder and play,
unite
u n t i e
u n t i e
unite
Nearness inherently holds far-ness, right?
inside
outside
through
as a whole
in its parts
:DNA makes our bodies transparent:
holding
family
memory
theory
United U n t i e d (2010-2016) is the second body of work from my ongoing research project, The Poetics of Twinship. Initially my curiosity was driven by science: its capacity to provide evidence was soothing. My first exploration of this work, Twice Upon A Time (2008-2010), shows my obsessive compulsion to prove the validity of my questions. Although science continues to inform my art, it is no longer my central mode of inquiry. I am less concerned now about proof and more curious about the act of questioning itself. What is it like to be a twin? I unfolded the spaces surrounding Question and Answer by opening my process to countless contributors, my two favorites: chance and synchronicity. Perhaps this is because these two ideas are at the root of all identical twins’ existence: one egg spontaneously split into two.
United U n t i e d documents my attempt to describe twinship. For me, being a twin is often an oscillation between individuality and togetherness on many levels: on the surface of our bodies (the physical), below the surface of our bodies (the genetic) and beyond the surface of our bodies (the psychological, spiritual and philosophical). Over the past six years I collected and created numerous metaphors. They came from various sources: family snapshots, quotes from philosophers and twins, memories, mapping techniques, my body, etcetera. I began this research in my family archive because it contained the first images of my twin and me. Two fundamental facts became evident: being a twin is an inherently visual experience and the question of “Who is who?” is a practical necessity. Seeing double immediately produces a lot of questions.
United
8 1/2” x 8 1/2” Archival Pigment Print, 2015
United Untied Research Notebook
11” x 8 1/2” Archival Pigment Prints, 2010-2016
pages 1-2 from United Untied Research Notebook
11” x 8 1/2” Archival Pigment Prints, 2010-2016
United Untied Research Notebook 2010-2016
Time-lapse
pages 16-18 from United Untied Research Notebook
11” x 8 1/2” Archival Pigment Prints 2010-2016
Togetherness
17” x 17” Archival Pigment Print, 2015
Symmetrical Identities
11” x 8 1/2” Archival Pigment Print, 2016
Symmetrical Identities Detail
North
17” x 17” Archival Pigment Print, 2015
Eclipsing Identities
11” x 8 1/2” Archival Pigment Print, 2016
Eclipsing Identities Detail
Me, Pondering Mom's Ultrasound
17” x 17” Archival Pigment Print, 2015
Presence
8 1/2” x 8 1/2” Archival Pigment Print, 2015
Homecoming Freshman Year
11” x 11” Archival Pigment Print, 2015
Absence
8 1/2” x 8 1/2” Archival Pigment Print, 2015
Measuring
22” x 17” Archival Pigment Print, 2016
Dust Constellation
22” x 17” Archival Pigment Print, 2015
Sugar Free Klondike Bar
22” x 17” Archival Pigment Print, 2015
i-dentical
8 1/2 “ x 8 1/2” Archival Pigment Print, 2015
Genetic Dark Matter
22” x 17” Archival Pigment Print, 2016
pages 10-12 from United Untied Research Notebook
11” x 8 1/2” Archival Pigment Prints, 2010-2016
pages 46-49 from United Untied Research Notebook
11” x 8 1/2” Archival Pigment Prints, 2010-2016
Translation
22” x 17” Archival Pigment Print, 2016
pages 29-32 from United Untied Research Notebook
11” x 8 1/2” Archival Pigment Prints, 2010-2016
I see Her: She sees Me, after Sir Francis Galton
14” x 11” Archival Pigment Print, 2016
I overlaid my twin and my face in photoshop to make a composite portrait. When I look at it I see her and when she looks at it she sees me.
pages 69-70 from United Untied Research Notebook
11” x 8 1/2” Archival Pigment Prints, 2010-2016
pages 84-85 from United Untied Research Notebook
11” x 8 1/2” Archival Pigment Prints, 2010-2016